Minor mode with ♯4 and natural 6, the 4th mode of the melodic minor system.
Intervals from the tonic that build this scale step by step.
Diatonic chords on each degree of this scale.
Related modes that use the same notes with a different tonal center.
Explore scales that share many of the same notes and compare how their tonal center changes the sound.
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| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
Dorian ♯4 is a minor mode with a natural sixth and a raised fourth. That blend keeps the open Dorian character while adding the floating tension of ♯4. In the melodic minor modal system, Dorian ♯4 is the 4th mode.
The formula is 1-2-♭3-♯4-5-6-♭7, with step pattern W-H-W+H-H-W-H-W. In D Dorian ♯4, the notes are D-E-F-G♯-A-B-C. Compared with regular Dorian (1-2-♭3-4-5-6-♭7), only the 4th degree is raised.
That single change has a major color effect: ♯4 creates lift and modern tension, while the natural 6 preserves the mode's Dorian identity.
Dorian ♯4 is useful over minor modal centers when Dorian feels too stable and Lydian Dominant feels too functionally dominant. In jazz, fusion, and cinematic harmony, it offers dark minor color with a brighter upper pull.
Melodically, ♭3, ♯4, and 6 quickly define the sound. Harmonically, the scale works best when ♯4 is treated as an intentional color tone with clear voice-leading.
Practice Dorian and Dorian ♯4 back to back so the difference between 4 and ♯4 becomes immediate in your ear. Then create short motifs that start from stable tones (1, ♭3, 5) and color the line with targeted ♯4 motion.
For improvisation, use 1, ♭3, and ♭7 as anchors and treat ♯4 as the defining tension point. For composition, choose this mode when you want modern minor color with extra spatial lift.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | C | |||
| 2 | D | |||
| 3 | E♭ | |||
| 6 | F♯ | |||
| 7 | G | |||
| 9 | A | |||
| 10 | B♭ |