Minor seventh with extensions through 13 (1–♭3–5–♭7–9–11–13); full Dorian/Aeolian upper structure.
Intervals from the root that spell this chord and its chord tones.
Parent scales and degrees where this chord appears as a diatonic sonority.
Scales that contain this chord’s notes and usually fit over it.
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The minor thirteenth chord stacks extensions on a minor-seventh frame, typically including 9, 11, and 13 (1-♭3-5-♭7-9-11-13 as a conceptual set). The 13 is the same pitch class as a major sixth above the root, which warms the harmony compared with darker minor modes while keeping the minor third and minor seventh identity. It is a go-to color for modal jazz, funk keyboard pads, and rich neo-soul voicings.
Extend m7 upward by thirds in the chord symbol system: add 9, 11, then 13. Real voicings often omit inner tones for clarity.
Static minor vamps, ii chords with lush extensions, and tonic minor colors when you want brightness on top.
Prioritize guide tones and the color you need most; rarely play all seven pitch classes simultaneously in a single hand.
Minor seventh core with a major sixth/13 lift on top.
| Interval | semitones | Note | ||
|---|---|---|---|---|
| 0 | C | |||
| 3 | E♭ | |||
| 7 | G | |||
| 10 | B♭ | |||
| 14 | D | |||
| 21 | A |
| Degree | Triad | Seventh | Extended | Scale | |
|---|---|---|---|---|---|
| I | |||||
| II | |||||
| III | |||||
| IV | |||||
| V | |||||
| VI | |||||
| VII |
These modes come from a defined series of intervals! Checkout our blogpost about the major modes!