Dominant 7 with ♯5; augmented dominant brightness and forward drive.
Intervals from the root that spell this chord and its chord tones.
Scales that contain this chord’s notes and usually fit over it.
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The 7♯5 dominant chord brightens the dominant center by raising the fifth. It keeps strong functional pull but sounds more volatile and modern than plain 7. This is a classic entry point into altered dominant language.
Core formula: 1-3-♯5-♭7, often with optional 9 or 13 colors in context. In C: C-E-G♯-B♭. The chord remains functionally dominant because 3 and ♭7 are intact.
Widely used in jazz, blues-influenced harmony, and cinematic transitions where dominant pull needs extra edge. It can resolve strongly to tonic or pivot chromatically to neighboring colors.
Keep 3 and ♭7 stable, make ♯5 clearly audible, and avoid overloading inner voices. A smooth stepwise resolution of ♯5 gives this chord its strongest dramatic effect.
| Name | Aliases | Difficulty |
|---|---|---|
| G sharp Altered | super locrian, diminished whole tone, pomeroy | Easy |
| G sharp Chromatic | - | Easy |
| G sharp Leading whole tone | - | Easy |
| G sharp Whole tone | messiaen's mode #1 | Easy |
| G sharp Whole tone pentatonic | - | Easy |
| - | Easy | |
| arabian | Intermediate | |
| - | Intermediate | |
| spanish, phrygian major | Expert | |
| - | Guru | |
| - | Guru | |
| - | Guru | |
| melodic minor fifth mode, hindu | Guru | |
| - | Guru |
| Name | Aliases | Difficulty |
|---|---|---|
| G sharp Augmented | aug, +, +5, ^#5 | Beginner |
| G sharp Dominant seventh no fifth | 7no5 | Intermediate |
| Interval | semitones | Note | ||
|---|---|---|---|---|
| Perfect unison | 0 | G♯ | ||
| Major third | 4 | B♯ | ||
| Augmented fifth | 8 | D𝄪 | ||
| Minor seventh | 10 | F♯ |